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Literature Text
It is a generally acknowledged law amongst those who devise and create mechanical contraptions that, if there is a way to use a device for something other than its intended purpose, someone will invariably find it. There also exists a second law, related directly to the first, which, in plain English, states the following: Anything that can go wrong will go wrong. And (though this is generally not mentioned around paying customers) there is a third.
'Never assume intelligence on the part of your client.'
A good mechanic, holding to these three principles, might flatter himself that he could create a mechanism or machine which would be, in common parlance, idiot-proof. He might believe that there would be no possible way in which someone could, through sheer blind stupidity, accidentally do something as ridiculous as, for example, setting themselves and their laboratory on fire, or (through a series of increasingly bizarre mishaps and coincidences) discovering the secret of time-travel whilst attempting to retrieve a fishpaste sandwich from the bowels of the aforementioned invention. Or both, simultaneously.
What this hypothetical mechanic would have failed to factor into account, of course, is the existence of the fourth law, which renders all attempts to bypass the effects of the first three unfortunately worthless.
'Make it idiot-proof,' this final law runs (and here our hypothetical gentleman allows himself a self-congratulatory smirk), 'and someone will simply make a better idiot.'
In the case of our hapless hero (he of the accidental time-travel and fishpaste sandwiches), the two someones involved can hardly be accorded much of the blame - due to an unfortunate accident involving a dirigible, several mildly irritated elephants and an implausibly appearing tea-kettle, the part they played in his life and upbringing consisted mainly of bringing him into the world, naming him, and instilling in him a good and proper desire to meddle with the affairs of god and nature (though his guardian later made him promise quite faithfully that said meddling would not involve elephants in any way, shape or form).
No, the blame for his becoming in every sense the much-feared 'better idiot' must rest solely on the shoulders of the aforementioned guardian (his uncle, on his father's side), whose obsession with all things mechanical and general method of experimentation via accidental trial and error had a more than passing effect on young Samuel Wenthrop's impressionable mind (and on his soft and impressionable bones, on the several occasions when the older Wenthrop's robotic creations decided to be more than usually combative in their invariable and inexplicable efforts to escape the laboratory and wreak death and destruction on the surrounding countryside).
One might think that such experiences in his infancy would, in anything, dissuade a man from pursuing a life entirely devoted to tinkering ('inventing' would imply a degree of skill which young Wenthrop was far from possessing). One would, however, be failing to take into account the maniacal and fanatical devotion of certain subsets of the scientific mind to all things destructive and dangerous, and the lure of the still-unreached goal of creating an artificial intelligence which might perhaps do more than menace the local wildlife (and traumatise the occasional passing sheep).
One would also, of course, be failing to note the continued use of the word 'idiot' in the preceding paragraphs.
'Never assume intelligence on the part of your client.'
A good mechanic, holding to these three principles, might flatter himself that he could create a mechanism or machine which would be, in common parlance, idiot-proof. He might believe that there would be no possible way in which someone could, through sheer blind stupidity, accidentally do something as ridiculous as, for example, setting themselves and their laboratory on fire, or (through a series of increasingly bizarre mishaps and coincidences) discovering the secret of time-travel whilst attempting to retrieve a fishpaste sandwich from the bowels of the aforementioned invention. Or both, simultaneously.
What this hypothetical mechanic would have failed to factor into account, of course, is the existence of the fourth law, which renders all attempts to bypass the effects of the first three unfortunately worthless.
'Make it idiot-proof,' this final law runs (and here our hypothetical gentleman allows himself a self-congratulatory smirk), 'and someone will simply make a better idiot.'
In the case of our hapless hero (he of the accidental time-travel and fishpaste sandwiches), the two someones involved can hardly be accorded much of the blame - due to an unfortunate accident involving a dirigible, several mildly irritated elephants and an implausibly appearing tea-kettle, the part they played in his life and upbringing consisted mainly of bringing him into the world, naming him, and instilling in him a good and proper desire to meddle with the affairs of god and nature (though his guardian later made him promise quite faithfully that said meddling would not involve elephants in any way, shape or form).
No, the blame for his becoming in every sense the much-feared 'better idiot' must rest solely on the shoulders of the aforementioned guardian (his uncle, on his father's side), whose obsession with all things mechanical and general method of experimentation via accidental trial and error had a more than passing effect on young Samuel Wenthrop's impressionable mind (and on his soft and impressionable bones, on the several occasions when the older Wenthrop's robotic creations decided to be more than usually combative in their invariable and inexplicable efforts to escape the laboratory and wreak death and destruction on the surrounding countryside).
One might think that such experiences in his infancy would, in anything, dissuade a man from pursuing a life entirely devoted to tinkering ('inventing' would imply a degree of skill which young Wenthrop was far from possessing). One would, however, be failing to take into account the maniacal and fanatical devotion of certain subsets of the scientific mind to all things destructive and dangerous, and the lure of the still-unreached goal of creating an artificial intelligence which might perhaps do more than menace the local wildlife (and traumatise the occasional passing sheep).
One would also, of course, be failing to note the continued use of the word 'idiot' in the preceding paragraphs.
Literature
twenty / something
growing up means :
bird metaphors are becoming trite / i must no longer write
about leaving the nest but decide where i can find a place to build.
like this we all pay our rents. i think about Franklin and his taxes
/ skull collector / his eventual place in the dirt / a nest of paper : currency
of misappropriated quotes.
i return home / find my poster of Che folded into tablecloth /
critical theory textbooks mothballed into the ivory of closet.
/ by home : i mean nest / or conjugal remembrance.
when i dream anymore, it’s about equity / fringe benefi
Literature
scattered
We leave pieces of ourselves in the corners
Of bookshelves, stuck between the pages
And in the hand painted wooden bowl
Collecting dust and spare change.
My fingers grazed a fragment
When I saw a photograph of you today
And my lungs caught on the memory
Of the first words you said to me
Lingering like a ghost breath
In the soft curve of my earlobe.
(“Hi, mind if I ask you
Some questions?”)
I hid inside the rain to drown out
The sound. The wet grass stuck to my toes
And the droplets rolled down
Over the shirt that my mom told me
Makes me look like I’ve got a chip on my shoulder.
(She thought her rebel was a princess
Bu
Literature
anfractuous.
and I have so many things yet to show you.
none of this is beautiful
when compared to hair whipping out a car window
in a night so deep and far-flung from city lights
that you can see by starlight for miles.
desert grass desert dust sighing in the wind
chasing at the tires and the sky–
oh my god the sky oh my god that sky,
she calls for only her wildest children tonight.
she calls for us to gallop against each other
against each other our shoulders brushing with canyons with coyotes
like brothers
like sisters
she calls for us
calls after us
as we pelt free and far-flung beneath her blue-black belly
pregnant with planets
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Keep writing and keep creating.
Keep writing and keep creating.